Monday, January 30, 2017

Photo and Poem: Dusk by Samantha Wilkerson and Emily Williams


Dusk
She dances before me like a Colorado sunset
Her eyes reflecting the fading light
An out of order rainbow bounces through her iris
A watercolor mix of lilac and rose


The hills and the wind are her old friends
Hills stretching the horizon as vast as her heart
Wind tugging her hair, wispy and whimsical
Her spirit guided through the unruly strands


Long eyelashes flutter to the beat of the wildflowers
Swaying softly between her toes
Calm and wild, a walking juxtaposition
The painting ends where the silhouette begins

Monday, January 16, 2017

Personal Essay: On High School Dances by Emily Williams

Of all of the pertinent, soul-striking moments that will occur during my life, high school dances are probably the least impactful. Most likely, they won’t matter--in the grand scheme of things they will have nothing on my first promotion, my college graduation, or my wedding. Honestly, I think the first time I pull an all-nighter to finish a college assignment will be much more memorable than prom, homecoming, or semi.
And yet, every year when the time comes for several hundred hormone-induced teenagers to squeeze into a darkened gym and attempt to sing along to painful top-40 hits, I get an overwhelming urge to find a date.
I really shouldn’t care so much. I should focus more on getting good grades, as they will offer much more reward than an incredibly awkward hug at the end of the night from some profusely sweating sophomore. Even with the wisdom of a senior who has been through this many times before, I still find myself getting wrapped up in the homecoming “proposals” that explode all over Instagram every October.
I never really understood the mentality of having to ask someone in an extravagant way to go to a dance. I always see people serenading their girlfriends or boyfriends, writing “HOCO?” in candles, or coming up with punny signs, but I find it all very unnecessary. While being asked is exciting and can be totally adorable, being the person asking is stressful. The few times I’ve done the asking have left me an anxiety-ridden mess, worried that it wouldn’t be good enough or that they wouldn’t say yes. One time my actual girlfriend confessed that she was nervous I would say no, which is completely ridiculous, and I’m still not sure who else she thought I would be going with. It’s just another way for kids to try to one up each other. Prom is on another level, with students utilizing more and more extravagant props--bands, cars, balloons, actual live animals, etc. I loved being asked myself, but when it was my turn I would pretty much rather roll up into a ball and sleep for twenty years to avoid it.
The first dance experience I had was in fifth grade. It was very different from high school--same kids, different stage in life. I didn't have a date back then, most people didn't, but even at the age of ten my friends and I spent the night searching for someone to “slow dance” with. Of course, “slow dancing” required at least a foot of distance and complete avoidance of eye contact at the time, but it was the ultimate goal of the night. I never really wanted to dance with anyone--that was just weird-- but I still acted like I did because it was normal.
I’m not sure how, but I managed to find someone who’s actually really cool and funny to go with this year. I even find her dance moves endearing, although they resemble that of a drunken white dad at a barbecue. However, I haven’t always been this lucky.
The first person I ever went to a dance with was a boy, which was about as uncomfortable as it sounds, considering I’m, you know, attracted to women. You’d think I’d have figured that one out before agreeing to go with him. But it was homecoming, and everyone had a date. Why not? Luckily, as offended as he was when I informed him of my newfound revelation, he and I are still good friends. The night was surprisingly decent, so it wasn’t a total bust. He was a good date. I don’t even think I danced with him, but neither of us really minded.
Then there was the girl I went to my junior prom with. That night was absolutely legendary solely for the fact that it was completely traumatizing. Not only did my date refuse to dance with me, but she actually dumped me while we were at prom, right next to the dance floor. I’ve forgiven her for it, of course, but at the time I decided that I would never, under any circumstance, go to a dance again.
That, of course, was a dirty lie, because the second someone pulled up asos.com and shoved a picture of their dress in my face I was back on the homecoming train. It’s inescapable.
I commend the few people who stay home from dances with a bowl of popcorn, Netflix, and some good company. The art of not caring is difficult to master, and takes tremendous courage. I’m not strong enough for that, and most people aren’t. However, high schoolers need to accept defeat. We whine and complain and vehemently claim that we’re happy being single, but we aren’t, and we never will be. We only have a couple of chances to have these experiences, and even if sometimes they are humiliating and stuffy and awkward, they are a part of growing up, and therefore, they are worth it.

Monday, January 9, 2017

Faculty Reflection: On Directing Les Mis by Nicholas Lazor

There is no greater feeling, artistically speaking, than seeing the fruits of your labor-- be it as a performer, standing on stage taking in the applause of the audience, or as a director/choreographer, hearing the audience’s response to the work you’ve so meticulously put together. Each year, I work tirelessly on multiple shows for anywhere from one four months, perform them, and move on to the next (or, if I’m really lucky, to a period of relaxation!). Before beginning the next project, however, I always have to find a way to mentally and emotionally let go of the one I’ve just completed, whether I danced in it, directed it, choreographed it, or some combination of the three. Abington Heights’s version of Les Misérables: School Edition was no different.
Some may think me crazy for using such a strong word as “mourning” to describe the decompression period or letting-go process one goes through after such an endeavor, but I can assure you, it accurately describes the feelings someone involved in the production experiences. During the preparation and rehearsal process of just about any show, the cast spends a large amount of time together. The week of the show, actors and directors spend just about every spare minute in each others’ company. Inevitably, new friendships are made between people who maybe don’t see each other on a regular basis, with the cast and crew becoming more like a family than friends. The euphoria of opening night, when you finally get to perform the work for a live audience, and the bitter-sweet emotions felt during your last performance, realizing you will never again perform this show with the exact same group of people, both add to the emotional rollercoaster that is being part of a theatrical production.
The next day, all of that emotion starts to fade. The audiences disappear, your fellow cast and crew members return to their own lives, and the directors turn back into Spanish, Chorus and English teachers once again. Something that has brought you so much joy, self-fulfillment, and maybe some aggravation is now over. To make things worse, you even have hours and hours of free time to dedicate to thinking about how great the entire experience was-- what you learned from it, what you would do differently next time, and which moments you wish you could experience again.
However, that experience, as a whole, will never happen again. And in order to fully appreciate what it meant to you in a personal, professional or artistic sense,  you must give yourself time to feel the joy in that it happened, the loss in that it is over, and the realization that this unique experience you have had with a certain group of people will never again happen.